(Original Review, 1981-03-25)
Speaking of the femme fatale or fatale woman, she is hardly an invention of noir however automatically we identify the two. So much has focused on who and what Sam is, and what he is like, that Brigid's literary identity as opposed to her character and role in the plot get a little lost, which is exacerbated by our tendency to think of the archetype as inextricably identified with film noir. Brigid is an iconic femme fatale but the femme fatale is an ancient literary archetype, at least as old as Aeschylus' Prometheus is, for example Sophocles' Sphinx or Medusa.
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