(Original Review, 1981-05-12)
I’m always impressed by the influence of mediaeval mystical texts on 'Four Quartets'. This was the subject of a chapter in my thesis. These days, I would probably want to change some of the argument of that chapter, but I would not change the overall conviction that a primary concern of the poems was the maintenance of an almost intolerable tension between the way of affirmations
If you're into stuff like this, you can read the full review.